source(google.com.pk)
Funny Shayari Sms Biography
FUNNY
adj. fun·ni·er, fun·ni·est
1.
a. Causing laughter or amusement.
b. Intended or designed to amuse.
2. Strangely or suspiciously odd; curious.
3. Tricky or deceitful.
n. pl. fun·nies Informal
1. A joke; a witticism.
2. funnies
a. Comic strips.
b. The section of a newspaper containing comic strips.
Arousing or provoking laughter; "an amusing film with a steady stream of pranks and pratfalls"; "an amusing fellow"; "a comic hat"; "a comical look of surprise"; "funny stories that made everybody laugh"; "a very funny writer"; "it would have been laughable if it hadn't hurt so much"; "a mirthful experience"; "risible courtroom antics"
SHAIRI
Urdu poetry (Urdu: اُردُو شاعِرى) ( Urdu Shairi ) is a rich tradition of poetry and has many different forms which were basically originated from Arabic and borrowing much from the Persian language, it is today an important part of the cultures of Pakistan and India. Like other languages, the history of Urdu poetry shares origins and influences with other linguistic traditions within the Urdu-Hindi-Hindustani mix. Literary figures as far back as Amir Khusro (1253-1325 CE) and Kabir (1440–1518 CE) inspired later Urdu poets, and served as intellectual and linguistic sources. Meer, Dard, Ghalib, Anis, Dabeer, Iqbal, Zauq, Josh, Jigar, Faiz, Firaq and Faraz are among the greatest poets of Urdu. The tradition is centered in the subcontinent. Following the Partition of India in 1947, it found major poets and scholars residing primarily in modern Pakistan. Mushairas (or poetic expositions) are today held in metropolitan areas worldwide.
The principal forms of Urdu poetry are:
Ghazal, is a set of two liner couplets, which strictly should end with the same rhyme and should be within one of the predefined meters of Ghazals.There has to be minimum of five couplets to form a Ghazal. Couplets may or may not have same thought. It is one of the most difficult forms of poetry as there are many strict parameters that one needs to abide by while writing Ghazal.
Hamd is a poem in praise of Allah. The word "hamd" is derived from the Qur'an, its English translation is "Praise".
Marsiya (or elegy), is nearly always on the death of Hasan and Husain and their families, but occasionally on the death of relatives and friends. It is usually in six-lined stanzas with the rhyme aaaabb. The recitation of these elegies in the first ten days of Muharram is one of the greatest event in Muslim life. A fully developed marsiya is always an epic. The famous marsia writers who inherited the tradition of Mir Anis among his successive generations are Mir Nawab Ali 'Munis', Dulaha Sahab 'Uruj', Mustafa Meerza urf Piyare Sahab 'Rasheed', Syed Muhammad Mirza Uns, Ali Nawab 'Qadeem', Syed Sajjad Hussain "Shadeed" Lucknavi, Allama, Dr.Syed Ali Imam Zaidi, "Gauher" Luckhnavi the(great grandson of Mir Babber Ali Anis).
Masnavi, in the majority of cases a poetic romance. It may extend to several thousand lines, but generally is much shorter. A few masnavis deal with ordinary domestic and other occurrences. Mir and Sauda wrote some of this kind. They are always in heroic couplets, and the common metre is bacchic tetrameter with an iambus for last foot. The Religious masnavi Histori of Islam (Tarikh-e-Islam Az Quran) written by Dr. Syed Ali Imam Zaidi Gauher Lucknavi.
Naat is a poetry that specifically praises the Islamic prophet Muhammad.
Nazm Urdu nazm is a major part of Urdu poetry. From Nazeer Akarabadi, Iqbal, Josh, Firaq, Akhtarul Iman to down the line Noon Meem Rashid, Faiz, Ali Sardar Jafri and Kaifi Azmi. They have covered common life, philosophical thinking, national issues and the precarious predecament of individual human being.As a distinct form of Nazm many Urdu poets influenced by English and other European poets took to writing sonnets in Urdu language. Azmatullah Khan (1887-1923) is believed to have introduced this format to Urdu Literature. The other renowned Urdu poets who wrote sonnets were Akhtar Junagarhi, Akhtar Sheerani, Noon Meem Rashid, Zia Fatehabadi, Salaam Machhalishahari and Wazir Agha.
Qasida, a kind of ode, often panegyric on a benefactor, sometimes a satire, sometimes a poem dealing with an important event. As a rule it is longer than ghazal, but it follows the same system of rhyme.
Qawwali, is a form of urdu poetry read along with devotional music, A Qawwali is almost always dedicated to particular Sufi.
Ruba'i, is a poetry style, the Arabic term for "quatrain". The plural form of the word, rubāʿiyāt, often anglicised rubaiyat, is used to describe a collection of such quatrains.
Tazkira, biographical anthology, almost always of poetry alone. This is often a mere collection of names with a line or two of information about each poet, followed by specimen of his composition. On the other hand it may be the history of Urdu poetry with copious illustrative extracts. The best tazkiras give biographical details, but fail in literary criticism, and we get little idea of style or poetical power, still less of contents of poems. Even the large anthologies do not systematically review an author's work. Most of them have the names in alphabetical order, but one or two prefer historical order. The majority quote only lyrics, and the quotations, usually chosen at random, do not illustrate poetry.
SMS
Short Message Service (SMS) is a text messaging service component of phone, web, or
Mobile communication systems, using standardized communications protocols that allow the exchange of short text messages between fixed line or mobile phone devices.
SMS is the most widely used data application in the world, with 3.6 billion active users, or 78% of all mobile phone subscribers. The term "SMS" is used as an acronym for all types of short text messaging and the user activity itself in many parts of the world. SMS is also employed in direct marketing, known as SMS marketing.
SMS as used on modern handsets originated from radio telegraphy in radio memo pagers using standardized phone protocols. These were defined in 1985 as part of the Global System for Mobile Communications (GSM) series of standards as a means of sending messages of up to 160 characters to and from GSM mobile handsets. Though most SMS messages are mobile-to-mobile text messages, support for the service has expanded to include such other mobile technologies as ANSI CDMA networks and Digital AMPS, as well as satellite and landline networks.
[Log Kehte Hai Ki Pyar Ek Aisi Bimari Hai,
Jiski Koi Dawa Nahi Hoti,
Hum Kehte Hai Bewfai Ek Aisi Dawa Hai,
Jisse Ye Bimari Dubara Nahi Hoti…
Wo ishk to karti hai par janon nahi karti.
Wo katal to karti hai par khon nahi karti.
Eis kadar kanjoos hai meri chahne wali
Mis call to karti hai phon nahi karta…
Jindagi behaal hai,
Sur hai naa taal hai,
Msgbox bhi kangal hai,
kya aapki sms factory me hadtal hai,
yaar kuch to bhejo ye meri,
mobile ki zindagi ka sawaal hai…
Teri ulfat ko kabhi nakam na hone denge
Teri DOSTI ko kabhi badnam na hone denge
Meri zindagi main Suraj nikle na nikle
Teri zindagi main kabhi shaam na hone denge…
Tumhaari yaad dil se jaane nahin denge,
Tumhaare jaisa dost khone bhi nahin denge,
Roz sharafat se sms kiya karo warna ……,
Ek kaan k neeche denge or rone bhi nahin denge…
Har taraf padhai ka saya hai
Kitabo main sukh kisne paya hai
Ladke to jate hai tution ladkiyan dekhne
Aur sir kehte hai dekho itni barsat mai ladka padhne aya hai…
Na ishq kar mare yaar
yeh ladkiya bahut satati hai,
na karna in par aitbaar
yah kharcha bahut karwati hai,,
recharge tum karwa ke dete ho
aur number mera lagati hai …]
Funny Shayari Sms Biography
FUNNY
adj. fun·ni·er, fun·ni·est
1.
a. Causing laughter or amusement.
b. Intended or designed to amuse.
2. Strangely or suspiciously odd; curious.
3. Tricky or deceitful.
n. pl. fun·nies Informal
1. A joke; a witticism.
2. funnies
a. Comic strips.
b. The section of a newspaper containing comic strips.
Arousing or provoking laughter; "an amusing film with a steady stream of pranks and pratfalls"; "an amusing fellow"; "a comic hat"; "a comical look of surprise"; "funny stories that made everybody laugh"; "a very funny writer"; "it would have been laughable if it hadn't hurt so much"; "a mirthful experience"; "risible courtroom antics"
SHAIRI
Urdu poetry (Urdu: اُردُو شاعِرى) ( Urdu Shairi ) is a rich tradition of poetry and has many different forms which were basically originated from Arabic and borrowing much from the Persian language, it is today an important part of the cultures of Pakistan and India. Like other languages, the history of Urdu poetry shares origins and influences with other linguistic traditions within the Urdu-Hindi-Hindustani mix. Literary figures as far back as Amir Khusro (1253-1325 CE) and Kabir (1440–1518 CE) inspired later Urdu poets, and served as intellectual and linguistic sources. Meer, Dard, Ghalib, Anis, Dabeer, Iqbal, Zauq, Josh, Jigar, Faiz, Firaq and Faraz are among the greatest poets of Urdu. The tradition is centered in the subcontinent. Following the Partition of India in 1947, it found major poets and scholars residing primarily in modern Pakistan. Mushairas (or poetic expositions) are today held in metropolitan areas worldwide.
The principal forms of Urdu poetry are:
Ghazal, is a set of two liner couplets, which strictly should end with the same rhyme and should be within one of the predefined meters of Ghazals.There has to be minimum of five couplets to form a Ghazal. Couplets may or may not have same thought. It is one of the most difficult forms of poetry as there are many strict parameters that one needs to abide by while writing Ghazal.
Hamd is a poem in praise of Allah. The word "hamd" is derived from the Qur'an, its English translation is "Praise".
Marsiya (or elegy), is nearly always on the death of Hasan and Husain and their families, but occasionally on the death of relatives and friends. It is usually in six-lined stanzas with the rhyme aaaabb. The recitation of these elegies in the first ten days of Muharram is one of the greatest event in Muslim life. A fully developed marsiya is always an epic. The famous marsia writers who inherited the tradition of Mir Anis among his successive generations are Mir Nawab Ali 'Munis', Dulaha Sahab 'Uruj', Mustafa Meerza urf Piyare Sahab 'Rasheed', Syed Muhammad Mirza Uns, Ali Nawab 'Qadeem', Syed Sajjad Hussain "Shadeed" Lucknavi, Allama, Dr.Syed Ali Imam Zaidi, "Gauher" Luckhnavi the(great grandson of Mir Babber Ali Anis).
Masnavi, in the majority of cases a poetic romance. It may extend to several thousand lines, but generally is much shorter. A few masnavis deal with ordinary domestic and other occurrences. Mir and Sauda wrote some of this kind. They are always in heroic couplets, and the common metre is bacchic tetrameter with an iambus for last foot. The Religious masnavi Histori of Islam (Tarikh-e-Islam Az Quran) written by Dr. Syed Ali Imam Zaidi Gauher Lucknavi.
Naat is a poetry that specifically praises the Islamic prophet Muhammad.
Nazm Urdu nazm is a major part of Urdu poetry. From Nazeer Akarabadi, Iqbal, Josh, Firaq, Akhtarul Iman to down the line Noon Meem Rashid, Faiz, Ali Sardar Jafri and Kaifi Azmi. They have covered common life, philosophical thinking, national issues and the precarious predecament of individual human being.As a distinct form of Nazm many Urdu poets influenced by English and other European poets took to writing sonnets in Urdu language. Azmatullah Khan (1887-1923) is believed to have introduced this format to Urdu Literature. The other renowned Urdu poets who wrote sonnets were Akhtar Junagarhi, Akhtar Sheerani, Noon Meem Rashid, Zia Fatehabadi, Salaam Machhalishahari and Wazir Agha.
Qasida, a kind of ode, often panegyric on a benefactor, sometimes a satire, sometimes a poem dealing with an important event. As a rule it is longer than ghazal, but it follows the same system of rhyme.
Qawwali, is a form of urdu poetry read along with devotional music, A Qawwali is almost always dedicated to particular Sufi.
Ruba'i, is a poetry style, the Arabic term for "quatrain". The plural form of the word, rubāʿiyāt, often anglicised rubaiyat, is used to describe a collection of such quatrains.
Tazkira, biographical anthology, almost always of poetry alone. This is often a mere collection of names with a line or two of information about each poet, followed by specimen of his composition. On the other hand it may be the history of Urdu poetry with copious illustrative extracts. The best tazkiras give biographical details, but fail in literary criticism, and we get little idea of style or poetical power, still less of contents of poems. Even the large anthologies do not systematically review an author's work. Most of them have the names in alphabetical order, but one or two prefer historical order. The majority quote only lyrics, and the quotations, usually chosen at random, do not illustrate poetry.
SMS
Short Message Service (SMS) is a text messaging service component of phone, web, or
Mobile communication systems, using standardized communications protocols that allow the exchange of short text messages between fixed line or mobile phone devices.
SMS is the most widely used data application in the world, with 3.6 billion active users, or 78% of all mobile phone subscribers. The term "SMS" is used as an acronym for all types of short text messaging and the user activity itself in many parts of the world. SMS is also employed in direct marketing, known as SMS marketing.
SMS as used on modern handsets originated from radio telegraphy in radio memo pagers using standardized phone protocols. These were defined in 1985 as part of the Global System for Mobile Communications (GSM) series of standards as a means of sending messages of up to 160 characters to and from GSM mobile handsets. Though most SMS messages are mobile-to-mobile text messages, support for the service has expanded to include such other mobile technologies as ANSI CDMA networks and Digital AMPS, as well as satellite and landline networks.
[Log Kehte Hai Ki Pyar Ek Aisi Bimari Hai,
Jiski Koi Dawa Nahi Hoti,
Hum Kehte Hai Bewfai Ek Aisi Dawa Hai,
Jisse Ye Bimari Dubara Nahi Hoti…
Wo ishk to karti hai par janon nahi karti.
Wo katal to karti hai par khon nahi karti.
Eis kadar kanjoos hai meri chahne wali
Mis call to karti hai phon nahi karta…
Jindagi behaal hai,
Sur hai naa taal hai,
Msgbox bhi kangal hai,
kya aapki sms factory me hadtal hai,
yaar kuch to bhejo ye meri,
mobile ki zindagi ka sawaal hai…
Teri ulfat ko kabhi nakam na hone denge
Teri DOSTI ko kabhi badnam na hone denge
Meri zindagi main Suraj nikle na nikle
Teri zindagi main kabhi shaam na hone denge…
Tumhaari yaad dil se jaane nahin denge,
Tumhaare jaisa dost khone bhi nahin denge,
Roz sharafat se sms kiya karo warna ……,
Ek kaan k neeche denge or rone bhi nahin denge…
Har taraf padhai ka saya hai
Kitabo main sukh kisne paya hai
Ladke to jate hai tution ladkiyan dekhne
Aur sir kehte hai dekho itni barsat mai ladka padhne aya hai…
Na ishq kar mare yaar
yeh ladkiya bahut satati hai,
na karna in par aitbaar
yah kharcha bahut karwati hai,,
recharge tum karwa ke dete ho
aur number mera lagati hai …]
Funny Shayari Sms
Funny Shayari Sms
Funny Shayari Sms
Funny Shayari Sms
Funny Shayari Sms
Funny Shayari Sms
Funny Shayari Sms
Funny Shayari Sms
Funny Shayari Sms
Funny Shayari Sms
Funny Shayari Sms
Funny Shayari Sms
Funny Shayari Sms
Funny Shayari Sms
Funny Shayari Sms
Funny Shayari Sms
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